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This
edition I am reviewing the Carl Martin Plexi-Tone pedal.
In case you haven’t seen any of these Carl Martin pedals
before, they are a very professional looking guitar pedal from a well
respected company. The Plexi-Tone
is basically a high gain vintage overdrive pedal offering you 3
different steps of distortion / boost.
It is a super solid looking pedal,
slightly larger than your standard stomp box with three chunky metal
footswitches and five classic chicken head knobs.
As the name implies, this pedal is just screaming vintage
Marshall overdrive / distortion tones.
The Plexi-Tone is way more than just a distortion / overdrive pedal. From the start, the Plexi-Tone begins with a two step overdrive, the crunch channel and the high gain channel, on top of that it gives you an up to 20dB clean boost channel as well. The five knob controls on the top of the pedal are for controlling ‘Crunch’, ‘High-Gain’, ‘Tone’, ‘Level’ and ‘Boost’, with three other footswitches controlling the three stages of overdrive being ‘Drive’, ‘High-Gain’ and ‘Boost’. The crunch channel starts
with a very warm subtle overdrive right up to a hard rock gain stage
with plenty of fine tuning adjustment all the way along.
The high gain channel then takes off from hard rock gain full on
up to absolute meltdown! This
pedal has loads of gain and bottom end, and it all sounds so
‘Marshall’ like. On top
of that, there is the boost channel which can add a further 20db of
boost on top of that, more than enough to kick any sluggish valve amp
into action! All of this
and in a tone that brings the memory back to the early 80's high gain
guitar hero's – and who doesn’t love the 80’s?
What I really liked is how the tone stays true Marshall, even by
adding loads of gain; you can dial back the tone a touch without losing
and clarity at all. The ‘boost’ control
can be used independently or with each of the other two gain stages, and
with 20db of crystal clean / clear boost, it really
works well making a huge difference.
The ‘tone’ control has a wide range of adjustment also that
controls the overall EQ without making your tone sound too mushy or
edgy. The ‘crunch’
channel has been voiced to give you that classic Marshall, Angus Young
tone, where the ‘High Gain’ channel has a more compressed and
mid-scooped tone. Another great bonus with all
Carl Martin pedals is the high quality built in power supply.
No batteries or wall warts to worry about, all Carl Martin pedals
plug straight into the wall, AC 240 volts.
This is a far superior way to go.
Power is supplied via a standard AC cable (rather than a 9-volt
transformer) to the built in ‘regulated power supply’.
This allows the engineers at Carl Martin to use higher quality
components, and provide for the required ‘headroom’ that sets Carl
Martin pedals apart. In general, I loved
playing with this pedal and could easily see one working its way into my
arsenal of effects. Just
the simplicity of getting a great tone without any stress and the
solidness of the whole thing make this pedal very attractive to any
guitar player. It would be
one of those pedals you could have in your gig bag for many years.
Experience the new standard and let the Plexi-Tone take you to
the stratosphere of high gain. Check
one out now!
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